The History of the Hobbit: Mr Baggins and Return to Bag-End: Mr Baggins v. 1 by Tolkien J. R. R. & John D. Rateliff

Author:Tolkien, J. R. R. & John D. Rateliff [Tolkien, J. R. R.]
Language: eng
Format: azw3
Publisher: HarperCollins Publishers
Published: 2011-11-23T16:00:00+00:00

But the introduction of survivors from Dale changes this: it gives those who like Bard are descended from the Dale-folk a rightful claim to at least part of the hoard – albeit probably a relatively small part: it is after all the gold of the King under the Mountain that has lived on in Lake-folk song and legend and likewise ‘the legend of the hoard of Thror’ that brings the Elvenking marching at top speed, not any legacy of Girion. Now Thorin faces a rightful claimant to any wealth of Girion’s mixed into Smaug’s treasure, and one who furthermore also legitimately serves as spokesman for the Lake-folk’s claim for aid in time of need to reciprocate their own earlier generosity, plus a hero who by preventing Smaug’s return has done the new King under the Mountain a great service and deserves his own reward as the dragon-slayer (cf. Bilbo’s recognition of the essential fairness of Bard’s presentation of his three-part claim in the latter part of Chapter XV, the first new text in the Third Phase drafting, on page 648 & DAA.323). Significantly enough, it was just at the point where Tolkien would either have to reject some of these new elements, particularly Bard, because of the complications they introduced into his projected conclusion, or else have to find a way to incorporate them by changing that conclusion, that he broke off the Second Phase of composition, just as Bilbo and the dwarves learn of the approaching elven and human armies (see page 620).

Bard is an important figure for another reason: he represents a turning point in Tolkien’s legendarium. He is not the first of Tolkien’s human heroes, having been preceded a decade and a half before by Beren, Húrin, Túrin, and Tuor, but unlike these tragic and rather remote figures, his is a fortunate fate. A dispossessed heir, he lives to achieve unexpected victory over the surpassingly strong hereditary foe who had destroyed his homeland, re-establishes the kingship, and founds a dynasty that renews alliances with nonhuman neighbors and helps bring renewed prosperity to the region.5 In short, he is a precursor of Strider (Aragorn), who through his own efforts and the great deeds of others claims his ancestor’s throne and re-establishes his kingdom; all that is lacking is the love story (a relatively late element of Aragorn’s story; cf. HME VIII–IX). Bard is thus a pivotal figure, a turning point between the tragic figures of the First Age and the triumphant returning king of Volume III of The Lord of the Rings.

The sudden emergence of the unlikely hero, the one who dares to undertake some task or challenge which his apparent ‘betters’ shirk – as in, for example, the farmer who (twice) goes dragon-hunting in Farmer Giles of Ham or indeed Bilbo’s exploration of Smaug’s lair when Durin’s heir dares not enter – is of course a traditional fairy-tale motif, frequently matched with the subsequent discovery that the new hero is in fact a lost prince or noble heir.

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